Tag Archives: Bedmocast

MIX: PEOPLE LIKE US v BEDMO DISCO WARM-UP

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We’re rather excited about our forthcoming “versus” hoedown with fellow Bristol-based disco-centric party-starters People Like Us at The Looking Glass this Friday (16th August). So excited, in fact, that Sell By Dave has laid down a spontaneous “warm-up mix”.

The party promises disco, boogie, sleaze, Italo, house and “more cowbell”, and that’s exactly what you can expect from Sell By’s party-starting throw down. Tracklist and Soundcloud player (plus download link) below…

PEOPLE LIKE US v BEDMO DISCO WARM-UP MIX by SELL BY DAVE

1. Peech Boys – Life Is Special [Bedmo Disco Dub – previously unheard]
2. Sharon Brown – I Specialize In Love [Vocal]
3. Tiger & Woods/Kers – Bash at Jack/Back at Ya [Sell By Dave Blend – previously unheard]
4. Starvue – Body Fusion [Anthony Mansfield Edit]
5. Charanga 76 – No Nos Pararan (Ain’t No Stopping Us Now)
6. OTP Party Breaks – No Mistake [Kon’s 2079 Mix]
7. The Globe – Adventure Party [Sell By Dave Edit – previously unheard]
8. Koto – Visitors [Lee Douglas Re-Edit]
9. Popular People’s Front – Love Itch
10. Jarle Brathen – Italiano Fantastico
11. Mitchbal & Larry Williams – Do Dat Stuff [Dance Mix]
12. Solution – Feels So Right [Victor Simonelli Mix]
13. Candido – Jingo
14. Debbie Jacobs – High on Your Love [C.O.M.B.I Edit]

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MUSIC: BEDMOCAST SUMMER SPECIALS

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This week, we’re heading out to Croatia for Soundwave 2013, the latest instalment of our favourite Adriatic festival. We’ve been heading out there for the last four years, and this will be the third time we’ve played at the event. As way of a warm-up (asides from Awon’s brilliant set at Alfresco Disco on Saturday), we’ve decided to drop a clutch of new mixes inspired by the Adriatic sunshine.

We’ve called it the “BedmoCast Summer Special Series” (snappy, eh?) and the mixes cover a range of sounds and styles. The one thing that draws them all together is their inspiration: a Croatian summer. At present, there are three mixes in the series, all of which can be found on the Bedmo Disco Soundcloud page (we’ve also posted the set below):

Volume 1 – Awon’s Boogie Jam
A fantastic summer-friendly all-boogie, disco and electrofunk excursion from Awon, featuring some of his own tracks (and a couple of other Bedmo Disco-related jams), plus cuts from the likes of Melba Moore, West Phillips, Evelyn ‘Champagne’ King, Status IV, I Level and more. Want to listen? Click here!

Volume 2 – Sell By Dave presents Tisno at Dusk
Sell By reaches into his collection of Balearic gems for a laidback excursion through downtempo beats, dubwise treats, forgotten gems, well-known belters and much more besides. Think head-nodders and feet-shufflers for that moment when the sun begins to dip beyond the horizon. Oh, and old Andrew Weatherall remixes. Want to listen? Click here!

Volume 2 – Dancing Under The Stars
Another mix from Sell By Dave, this one ups the tempo for an all-night session dancing under the stars, either at the festival site or Barbarella’s Discotheque. Disco, afrobeat, house, broken beat, electrofunk… and lots more besides. Want to listen? Click here!

In other words, plenty of fodder for your MP3 player/phone/iPod/iPad (etc) as you make your way out to the sunshine, whether you’re heading to Soundwave or not. Enjoy!

 

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MIX: BEDMOCAST 10 – DUB IT!

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For the latest instalment of our ongoing BedmoCast mix series, we’ve got something a little different from our very own Sell By Dave – a percussive, tape delay-heavy journey through synth dubs featuring a mixture of boogie, proto-house, proto-garage, freestyle and Italo treats.

Below, he’s been kind enough to go through the mix track by track, highlighting a few lesser-known gems and generally getting enthusiastic.

You can listen to the mix here:  BedmoCast 10_ DUB IT!

You can also download a ZIP file containing the mix (192 MP3) and a PDF of Sell By Dave’s liner notes  here>>

It’s also on MixCloud here >>

BedmoCast 10: DUB IT! – SELL BY DAVE’S VIRTUAL LINER NOTES

I’ve always had a soft spot for the dub versions of both popular and lesser-known records from the 1980s. When digging through records in second-hand shops, I’ll instinctively reach for those that feature a Dub or instrumental rather than a B-side. Of course, more often than not these dubs will be terrible, featuring some rather dubious ‘80s production techniques and fads – chopped-up vocal stabs played on a Fairlight, a bit too much cheesy vocal, percussion that sounds cheap – but occasionally they still sound fantastically fresh.

The 1980s was a great time for dance music. The development of affordable drum machines, digital samplers and powerful synthesizers gave producers and musicians the means to try brand new things. This of course led to many musical developments – house, techno, garage, electro, freestyle, Jam & Lewis style “contemporary R&B” – that either still dominate dancefloors, or influence producers. There was also a “golden period” in New York during the early-to-mid 1980s, where disco became boogie, and later spawned ‘garage house’. Even the city’s post-punk and punk-funk musicians got in on the act (check the work of Bob Blank for proof). In between, producers such as Paul Simpson and Winston Jones bridged the gap with records that would later be considered “proto house” and “proto garage” classics.

In New York in particular, there were a number of editors and remixers who understood the power of the dub, and often went to great lengths to produce drum-machine heavy versions, laden with delay, that would work in the city’s leading clubs. Shep Pettibone, Francois Kevorkian, John “Jellybean” Benitez and Larry Levan – certainly during his golden period around 1982 and ’83, before his well documented substance abuse problems finally got the better of him – in particular were at the top of their game, turning freestyle, boogie, electro and proto-garage jams into sparse, sweaty dancefloor gold.

Of course, it wasn’t just New York leading the way. There are good European examples too, in particular in the Italo scene. I’ve not touched on that much in this mix, but may explore it at a later date. I’ve also included a few contemporary examples of records inspired by that early to mid ‘80s sound. As ever, it was mixed in one take, with just a collection of tunes and only one clear objective: to try and accurately capture the sweaty, basement-centric feel of the clubs these records were initially designed for. Hopefully I’ve done it justice.

1. AURRA – SUCH A FEELING [PARTS 2 & 3] (Salsoul Records, 1982)

This is almost the ultimate early ‘80s boogie dub. Mixed by Shep Pettibone, it begins with a reverb-laden vocal and then bobs and weaves, dub style, for an epic 14 minutes. I’ve only used a relatively small snatch, but hopefully there’s enough to get a flavour of the vibe.

2. REAL EYES – YOU GOT ME GOING [DUB] (Vanguard, 1984)

Vanguard was a constant source of interesting material in the early 1980s, releasing tracks that largely sat somewhere between boogie and freestyle. The vocal version of this tough, synth-heavy groover is nice, but typically I prefer the dub. Unusually, there was no big name mix, with producer Lance Smith taking mixing duties.

 

3. DAVID BOWIE – UNDERGROUND [DUB] (EMI America, 1986)

The original version of this mid-‘80s Bowie number was featured on the Jim Henson-produced film Labrynth. It’s hardly one of his best, a fairly shoddy synth-pop number. The Extended Dance Mix is rubbish, too. The dub, though, is ace – basically six minutes of heavy drums, tape edits and sound effects. For the record, it was mixed by Steve Thompson and Michael Barbiero, who seemed to be the go-to men for EMI America when pop records needed remixing; they also provided ‘dance mixes’ for Tears for Fears and Simply Red, amongst others.

 

4. RHYTHM ODYSSEY & DR DUNKS – LA CHIAVE [DUB BEATS] (Golf Channel Recordings, 2012)

Eric Duncan and Chicken Lips’ Dean Meredith have long been disciples of both obscure old drum machines, and the potential of 1980s, New York style dubs. Their two recent EPs for NYC’s own Golf Channel featured a couple of alternate dub versions that swing to the dirty groove of tape edits and early drum machines. This version of the unusual “La Chiave” is probably my favourite, though the 808 Tape Edit of “Glow” is also excellent. 

5. ORLANDO JOHNSON & TRANCE – TURN THE MUSIC ON [INSTRUMENTAL] (Easy Street, 1983)

This debut single from Orlando Johnson’s boogie crew is near perfect. The vocal version is ace and the ‘Instrumental’ – mixed by Jellybean and featuring enough delay-laden vocal snatches to qualify as a proper dub – almost better. It’s one of my favourite instrumentals from the period. I’m not alone, either – Awon and Five-Stylez also own copies. You could say it was a true “Bedmo Disco” fave, then.

6. JEFFREY OSBORNE – PLANE LOVE [DUB] (A&M, 1983)

Around ’82-’83, Larry Levan was on fire, laying down a string of brilliant remixes – Gwen Guthrie’s “Hopscotch” and “Padlock”, Frontline Orchestra’s “Don’t Turn Your Back On Me”, Imagination’s “Changes” etc – and this tweak of Jeffrey Osborne for A&M is one of his best dubs. It features all his stapes – the delay-laden drums, the obligatory bassline drop, drum breaks aplenty – and is utterly ace.

7. THE FLIRTS – YOU & ME [DUB] (CBS, 1985)

This was actually a big club hit on both sides of the Atlantic when it came out in 1985, but it arguably hasn’t stood the test of time. The same could be said for many Bobby ‘O’ records, in truth, but it’s still a great example of his work. Influenced by both Italo and Hi-NRG, Shep Pettibone’s Dub is formidably percussive and includes some typical vocal cut-ups.

8. FREEKWENCY – OUTRUN [DUB] (Voyeurhythm, 2012)

Melbourne-based producer Benny Badge has been producing some great, synth-heavy ‘80s boogie revivalism for a few years now. This Dub – tucked away on the B-side of the excellent “Flip The Coin” single on Voyeurhythm – is brilliantly observed, sounding authentically 1980s in its sound and execution.

9. ALISHA – BABY TALK [BEDMO DISCO DUB] (Unreleased)

A few years back I spent a lot of time editing up ‘80s releases in the original tape edit style for a project codenamed ‘The Bedmo Disco Dubs’. A couple of the tracks eventually saw the light of day on our digital-only EP, “It’s A Synth”. There were loads more, though, that never made the cut and didn’t even appear on Soundcloud. This extended, drum-heavy, dub style edit of Alisha’s curious 1985 freestyle cut “Baby Talk” is one of those. From memory, the edit features bits from all three mixes on the 12” – all of which were done by Shep Pettibone.

10.KOTO – JAPANESE WARGAME [DUB] (Memory Records, 1983)

From the camper end of the spectrum, Koto’s “Japanese Wargame” is fairly well known as Italo tunes go, and for good reason. Its bassline, in particular, is ludicrously heavy. The Dub wanders around a fair bit, beginning – bizarrely – with the sound of somebody tuning a radio. For this mix, I was determined to feature the amazing bass drop, as well as some of the excellent percussive cut-ups that litter the mix.

11. COLONEL ABRAMS – TRAPPED [DUB] (MCA, 1985)

I could have included the fantastic dub of “Music Is The Answer” on here, but I’m a bit of a fan of the sparseness of Timmy Regisford’s Dub of “Trapped”. Bizarrely, on the original UK 12” Regisford’s Dub is edited down to less than 4 minutes, with the full seven-minute version being included on a separate 12”. For the record, I used the shorter dub here.

12. THE PAUL SIMPSON CONNECTION – TREAT HER SWEETER (Easy Street, 1985)

No exploration of the 1980s synth dub sound would be complete without something from Paul Simpson, the undisputed master of proto-garage dubs. What’s included here is actually the second half of the vocal version, which taken in isolation sounds like a genuine Dub. While not Simpson’s best, it’s still utterly fantastic.

13. AWON – KEEP IT HOT (unreleased)

I could have used any number of Awon tracks in this mix, but opted for an unreleased, electro-influenced gem we’ve been keeping on the back burner. Hopefully it will see the light of day at some point, ‘cos it’s a bit of a belter – tough drum machine beats, thick synth bassline and some great use of delay-laden vocal samples. He’s got some talent, our Gareth.

14. SCHERRIE PAYNE & PHLIP INGRAM – INCREDIBLE [SUPERSTAR DUB] (Superstar International Records, 1987)

This is one of those records that you don’t see in second hand shops very often. It’s not worth a great deal, and the full vocal version is dreadfiul. That said, it’s worth picking up for the 10-minute dub, which is brilliantly sparse. Really, it’s little more than beats, effects, bassline and snatches of Payne and Ingram junior’s vocals.

15. MAJOR HARRIS – ALL MY LIFE [DUB] (Pop Art Records, 1983)

I have a soft spot for Major Harris, and have rather too many of his early ‘80s records (and not just the superb “Gotta Make Up Your Mind”). The dub of “All My Life”, mixed by Nick Martinelli and David Todd, is suitably odd, stripping back the original and making great use of odd editing techniques (reversing certain sections of the vocal etc). Crucially, the beats are properly tough.

16. CITISPEAK FEAT JEANNE HARRIS – I DON’T NEED YOUR HANDOUTS (Partytime, 1983)

New York four-piece Citispeak only made two records, both in 1983. Both could definitely be described as curiosities. The vocal version of “I Don’t Need Your Handouts” is a bit of a mess, but the more out-there dub is excellent – in parts, at least, For the record, it was recorded at Bob Blank’s Blank Tape Studio, though he appears not to have produced or mixed it.

17. KONK – YOUR LIFE [DUB] (Sleeping Bag, 1984)

There’s not much more to say about Konk’s best-known tune, a perfect example of the crossover between arty experimentation and dance music in New York during the early 1980s. The lesser-played dub features some almighty Latin percussion, and it’s that – alongside the dirty synths – that make it an unbelievably hefty dancefloor jam.

18. PUSHE – DON’T TAKE YOUR LOVE AWAY [INSTRUMENTAL] (Partytime, 1983)

Another Winston Jones/Paul Simpson dub, taken from a lesser-known – but superb – Partytime release. I’ve written more about this for Juno Plus, if you fancy a gander. Click here to read it.

19. GARY’S GANG – MAKING MUSIC [DUB] (Radar Records, 1983)

I’ve never been a massive fan of Gary’s Gang, and the full vocal version of this is a bit dubious. The 10-minute dub, though, is majestic – arguably one of the best of the period. Impressively, it was written, produced and mixed by Gary’s Gang lead vocalist Joe Tucci. It was definitely ahead of its time.

20. SHIRLEY LITES – HEAT YOU UP (MELT YOU DOWN) [MELT DOWN MIX] (West End Records, 1983)

I just had to include this, as it’s arguably my favourite West End record of the period. The vocal version is peerless, but this alternate take – an instrumental with a few dub touches – is almost as good. When the bassline drops, it always gets me going.

21. WILL POWERS – SMILE [DUB] (Island Records, 1983)

The whole Will Powers project was a big joke by photographer Lynn Goldsmith, who wanted to poke fun at self-help entrepreneurs. Strangely, there was some excellent musicians and producers involved – most notably Robert Palmer, Sting and Sly and Robbie. “Smile” was mixed by Lindstrom fave Todd Rundgren. His dub features good use of the original’s gospel vocals and copious amounts of delay. It seemed an upbeat enough place to finish.

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MIX: AARON DAE’S BEDMOCAST

For the latest instalment of our ongoing BedmoCast mix series, we’re delighted to welcome Brooklyn producer AARON DAE into the fold. His mix, a delightfully fluid journey through starry deep house, disco-house and touchy-feely nu boogie, is sure to warm more than a few icy fingers and toes this autumn.We think it’s ace, and well worthy of your attention.

For the uninitiated, Aaron is a New York based DJ, producer and label owner. Alongside close friend J KRIV, he runs sneaky re-edit imprint Razor ‘N’ Tape. He’s also part of the rapidly expanding Deep & Disco family. He’s an excellent DJ with fine taste, as you’ll hear when you give BedmoCast 09 a listen.

Speaking of which, you can listen/download (alt+click on a Mac, something similar but different on a PC) to BEDMOCAST 09 here: BedmoCast 09_ AARON DAE

The tracklist for the mix is below. You’ll notice that it finishes with Only Children’s brilliant re-edit of “Falling In Love” by Surface, one of our favourite re-cuts of recent times. It dropped last week on Razor N Tape. It’s the label’s first digital-only outing and is currently being offered as an exclusive at Beaport. Buy it – it’s a wicked little EP.

BedmoCast 09: AARON DAE

1. Ron Basejam – Get Closer – Redux

2. Heion – It Can Be – ISM Records

3. Nicholas – Wind City – Amplified

4. Duff Disco – Return Of The Duff – Duff Disco

5. Rayko – After The After (Rayko After Edit) – Rare Wiri

6. The Glue – Our Love Is An Edit – Unreleased

7. Session Victim – Time To Let You Down (Original Mix) – Delsuions of Grandeur

8. Klic & Lokiboi – Soul Twist (Original Mix) – Kolour

9. Ben La Desh – Motion – Slezy Beats

10.  Stephen Day – When We Fell (Original Mix) – Seven Music

11.  Only Children – Falling – Razor-N-Tape

 

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MIX: BEDMOCAST 06 – NU BALANCE

We’ve got something a little bit special for you this week – a new BedmoCast episode mixed by Bristolian turntablist legend and original Aspects DJ Nu Balance. Flitting between original boogie, electrofunk and disco with a dash of fun and soul, it’s a 60-minute journey though Nu Balance’s almost endless crates. He also shows off some of the turntable skills – scratching, cutting, juggling – that earned him a fearsome reputation in his days with Bristol’s own Aspects crew.

Nu Balance is part of the extended Bedmo Disco family, and will be playing with Awon, Five-Stylez and Sell By Dave at The Big Chill Bristol on Saturday April 21st (that’s today, kids). We’ll be upstairs “In the Study”, mixing it up, tag team style, from 11pm-2am. Another mate of ours, Bristolian beatmaker/DJ/producer Scott Hendy (aka Boca 45) will be down his golden era hip-hop party downstairs. Awon and Five-Stylez will both be celebrating their birthdays. That’s sounds like an excuse for a party 😉

You can listen (or download, if you know how – check your browswer instructions etc) to Nu Balance’s fantastic BedmoCast mix by clicking on the link below. No tracklist, but suffice to say that every track is a killer – and there’s plenty of obscure and forgotten gems amongst the beats, grooves and boogie basslines.

BedmoCast 06: NU BALANCE

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MUSIC: BEDMOCAST 05 – FIVE-STYLEZ’ BOOGIE STYLES

Regular readers of this website will know that we like to give away BedmoCast mixes on a regular basis. They’ll also know that new DJ mixes from our own Five-Stylez are rarer than hen’s teeth, rocking horse excrement and Bristol City winning (this season, at least). You’ll be excited to note, then, that the latest BedmoCast episode has been mixed by… yep, Five-Stylez himself!

As he’s a bit of a digger and doesn’t like revealing some of his sources/finds, there’s no tracklist, but expect a range of boogie, electrofunk and synth-funk gems, including some unreleased tracks from Bedmo Disco (we won’t tell you which ones, just look out for some cheeky hip-hop vocal samples…), new bits from the label, classics from Instant Funk, and much, much more. 68 minutes of thrill-a-minute boogie goodness!

Click on the link below to listen. You can download it, too – check your browser instructions on how to download a “linked file”.

BedmoCast 05_ FIVE-STYLEZ

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MUSIC: BEDMOCAST 04 – AWON’S SYNTH BOOGIE JAM

For the latest instalment of the BedmoCast series, we’ve enlisted Bedmo Disco studio member, label artist and regular DJ partner AWON. He’s given us a vintage mix recorded this time last year – a slick, ever-changing synth boogie jam that boasts a mix of classic 80s electrofunk flavas, from singalong anthems and bona fide bangers to little-known cuts, obscure dubs and slept-on tracks. We reckon it’s rather ace.

No tracklist this time around, but expect tracks from the likes of I-Level, Freez, Krystol, Donna Allen, Rene & Angela, D-Train and many, many more. Think fat synth basslines, twiddly LFO “funk buttion” action, vintage synths and gorgeous vocals. Plus, of course, a dash of slap bass!

Awon is a firm part of the Bedmo Disco family and has been working with us in the studio, adding his musical skills – keys, guitar, bass, wooden frog, MPC manipulating – to our productions. Two of his tracks – one of which we had a hand in constructing/arranging – will be featured on BEDM006, due for release later this spring, alongside two cuts from Bedmo Disco (which, erm, he also played on). More about that EP soon, so stay tuned for info. There will also be a solo Awon EP later in the year, too, which will probably drop in September or October.

Awon will be joining Sell By Dave and Five-Srylez behind the decks as part of a newly-expanded Bedmo Disco DJ crew at a number of events this year, including Soundwave Croatia, the Globe in Brighton (April 7) and the next label party at Big Chill Bristol (24 March).

Anyway, enough of that – give the mix a whirl and let us known what you think. We reckon it’s lush!

Listen: BEDMOCAST 04 – AWON

(Note: It is possible to download all our mixes – it usually requires right clicking or on Macs, CTRL+ click, then selecting ‘download’ linked file or similar. Check the help section of your browser software for details!)

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MIX: BEDMOCAST 03 – MIXED BY JP SOURCE

For the latest instalment in our ongoing BEDMOCAST mix series, Bedmo Disco Records artist and all-round sound chap JP SOURCE delivers a funtime disco rinse-out, featuring a clutch of unreleased re-edits. Here’s what he has to say about it:

This mix was originally conceived for a ‘disco only’ party that I threw with some pals here in Louisville (luckily there was no stipulation against the use of edits). Nothing here is particularly new, which was kind of the point I guess. It does however contain some of my favorite dance-floor throwing stars that I have been chucking out recently. I hope that you like it, it seems to me, a suitable accompaniment for shoes off living room action, or you can stick it on in the background when you get home from ‘the club’ while you’re showing off your Scrooge McDuck collection.

So there you have it: a goodtime selection made for dancing round the living room. What’s not to like? Oh, and if you’ve yet to check out his fantastic EP for Bedmo Disco Records, Get Your Bearings, point your browser here >>

LISTEN ON SOUNDCLOUD >>
DOWNLOAD FROM SOUNDCLOUD >>

Tracklist: BEDMOCAST 03 mixed by JP SOURCE

1. Taana Gardner – HeartBeat [Coco Vegas Rework]
2. Ed Wizard & Disco Double Dee – Get Some
3. Lemuria – Hunk of Heaven [Vins Edit]
4. Chuck Brown & The Soul Searchers – Berro E Sombrero [Check The Guns Edit]
5. Cerrone – Give Me Love [The Noodleman Edit]
6. Boney M – Gotta Go Home [JP Source Edit]
7. Gay Marvine – Philly Sausage
8. Disco & Co – Cold Coke [Baldelli & Dionigi 2–8 Re-Edit]
9. Starsgarage – Catch Me
10. In Flagranti – Hallow Discourse
11. Adolf Stern – More I Like It [Alkalino Edit]
12. James White & The Blacks – Contort Yourself [JP Source Edit]
13. Downtown Party Network – Into Your Face

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MIX: BEDMOCAST 02 mixed by SELL BY DAVE

For the latest instalement of the BEDMOCAST mix series, our own SELL BY DAVE steps up to the ones and twos for a spontaneous, one-take mix-up. This time he’s on a slo-mo/midtempo tip, mixing up tracks and remixes from the likes of John Talabot, Let’s Get Lost, Cosmic Boogie, Deadly Sins, Marcos Cabral, Lonely C and Baby Prince, Pop & Eye, Krystal Klear and Maxmillion Dunbar. File under disco/deep house/slo-mo/New Beat/elecytrofunk.

LISTEN on MIXCLOUD >>DOWNLOAD (HOSTED BY SOUNDCLOUD) >>

Tracklist: BEDMOCAST02 mixed by SELL BY DAVE 

1. Marcos Valle – Estrelas [KZA Re-Edit] (Let’s Get Lost)
2. Psychemagik – Ass Nation (Psychemagik)
3. Deadly Sins – I Can Feel It (Giant Cuts Digital)
4. Pop & Eye – Gimme A Fight (Editainment)
5. The Revenge – Nightflight (Jiscomusic)
6. Cosmic Boogie – Fast & Loose (Boogie Originals)
7. Lonely C & Baby Prince – Just Be Yourself [Kenny Glasgow Remix] (Wolf + Lamb)
8. Adam Goldstone – Jackadub (Nuphonic)
9. Confettis – The Sound Of C (USA Import Music)
10. David Bowie – Underground [Dub Mix] (EMI America)
11. Whitney Houston – Love Will Save The Day [Marcos Cabral Re-Edit] (Hamilton Dance Records)
12. Bedmo Disco – Illusion  (Bedmo Disco Records)
13. Krystal Klear – Try My Love (All City)
14. Parallel Dance Ensemble – Occupied [Maxmillion Dunbar Remix] (Permanent Vacation)
15. John Talabot – So Will Be Now (feat Pional) (Permanent Vacation)

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