Tag Archives: Italo

MUSIC: NEW BEDMO DISCO “WORKOUT” MIX FOR BODYWORK

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It’s been a while since the last Bedmo Disco mix, and even longer since Sell By Dave, Awon and Five-Stylez all contributed to one. Clearly, we needed an excuse, because last week we put one together for our friends at Bodywork Bristol. They uploaded it to their Soundcloud profile earlier today, and you can find it below.

There is, of course, a good reason they asked us to contribute to their “Workout” series (mixes inspired by working out, trips to the gym, that kind of thing). On Saturday (11th October) they’re hosting what looks to be a particularly tasty party at Basement 45 here in Bristol. The headliner is top notch Canadian selector Eddie C (Endless Flight, African Shakedown, Kolour, Crue-L, Common Edit… the list goes on). In support, you’ll find us playing back-to-back with Bodywork residents Hank Champagne and the Prince of Persia. These guys are top DJs with excellent record collections – as anyone who heard them play at Bedmo Disco Presents… a couple of months back will no doubt agree – so we’re particularly excited about sharing the ones-and-twos with them (and, of course, warming up for Eddie).

You can find out more about the party here and buy tickets (recommended) on Resident Advisor here.

As for the mix, we went in hard on the “workout” tip. It features plenty of samples from our little-known collection of ‘80s workout VHS tapes, plenty of original Italo-disco, some forgotten house gems, a smattering of boogie dubs, a slew of unreleased Bedmo Disco dubs and 30 minutes of shirts-off disco at the end. Oh, and Arnie. We hope you enjoy listening to it as much as we enjoyed putting it together.

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TONIGHT: THE BEDMO DISCO FESTIVE FREAK-OUT!

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Bored of dry afternoons and evenings with your relatives? Keen to get out of the house to have a few cheeky drinks and a bit of a dance? If the answer to both of those is a resounding “YES, SAVE ME FROM THIS FESTIVE HELL” (or even just “yes, I fancy that”) then head down to Big Chill Bristol tonight (Saturday 28th December) from 9pm for the BEDMO DISCO FESTIVE FREAK-OUT!

You know what to expect: high grade underground disco, boogie, soul, funk, Italo and related goodness, with the Bedmo Disco crew joined for the first time by fellow Bristol-based disco DJs MAGIC GARY and JAMES DYER. They’re two of the main protagonists behind the always excellent TURBODISCO night at Dojo.

Oh, and as usual entrance is free throughout. Get involved, it should be another Christmas cracker! It’s got to be better than dreary festive TV and three day old sprouts!

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MIX: PEOPLE LIKE US v BEDMO DISCO WARM-UP

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We’re rather excited about our forthcoming “versus” hoedown with fellow Bristol-based disco-centric party-starters People Like Us at The Looking Glass this Friday (16th August). So excited, in fact, that Sell By Dave has laid down a spontaneous “warm-up mix”.

The party promises disco, boogie, sleaze, Italo, house and “more cowbell”, and that’s exactly what you can expect from Sell By’s party-starting throw down. Tracklist and Soundcloud player (plus download link) below…

PEOPLE LIKE US v BEDMO DISCO WARM-UP MIX by SELL BY DAVE

1. Peech Boys – Life Is Special [Bedmo Disco Dub – previously unheard]
2. Sharon Brown – I Specialize In Love [Vocal]
3. Tiger & Woods/Kers – Bash at Jack/Back at Ya [Sell By Dave Blend – previously unheard]
4. Starvue – Body Fusion [Anthony Mansfield Edit]
5. Charanga 76 – No Nos Pararan (Ain’t No Stopping Us Now)
6. OTP Party Breaks – No Mistake [Kon’s 2079 Mix]
7. The Globe – Adventure Party [Sell By Dave Edit – previously unheard]
8. Koto – Visitors [Lee Douglas Re-Edit]
9. Popular People’s Front – Love Itch
10. Jarle Brathen – Italiano Fantastico
11. Mitchbal & Larry Williams – Do Dat Stuff [Dance Mix]
12. Solution – Feels So Right [Victor Simonelli Mix]
13. Candido – Jingo
14. Debbie Jacobs – High on Your Love [C.O.M.B.I Edit]

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EVENT: PEOPLE LIKE US v BEDMO DISCO

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We’re delighted to finally be able to announce our next party in Bristol… a hook-up with the notorious party-starters behind the always excellent People Like Us events at the Looking Glass on Friday, August 16.

People Like Us started life as a night in London, where the residents – led by the lovely Ranks Skinna – would regularly wow various venues across East London. So strong are their ties to the capital that they still regularly do guest spots at roadblocked parties. Since moving to Bristol they’ve proved a hit at their new home, The Looking Glass on High Street (near the top of Corn St). We’ve been down to a few of their parties and they’re always sweaty, upbeat affairs. They get a mixed crowd (men, women, gay, straight), people always dance like mad, and the sounds are spot on. We can’t wait to take to the decks alongside Ranks and the rest and make it a night to remember!

For those who’ve not been to The Looking Glass, it’s a great spot. It has a small capacity, an intimate vibe, a top quality soundsystem and, for this party at least, a 4am licence. It’s the perfect venue for a sweaty little party. You can expect to hear disco sleaze, filthy bass, pulsating Italo, cowbells aplenty, cheeky boogie belters and proper house.

For more info head to the Facebook event page. It will be free to get in before 11.30, and £4 after. Bargain!

 

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MIX: BEDMOCAST 10 – DUB IT!

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For the latest instalment of our ongoing BedmoCast mix series, we’ve got something a little different from our very own Sell By Dave – a percussive, tape delay-heavy journey through synth dubs featuring a mixture of boogie, proto-house, proto-garage, freestyle and Italo treats.

Below, he’s been kind enough to go through the mix track by track, highlighting a few lesser-known gems and generally getting enthusiastic.

You can listen to the mix here:  BedmoCast 10_ DUB IT!

You can also download a ZIP file containing the mix (192 MP3) and a PDF of Sell By Dave’s liner notes  here>>

It’s also on MixCloud here >>

BedmoCast 10: DUB IT! – SELL BY DAVE’S VIRTUAL LINER NOTES

I’ve always had a soft spot for the dub versions of both popular and lesser-known records from the 1980s. When digging through records in second-hand shops, I’ll instinctively reach for those that feature a Dub or instrumental rather than a B-side. Of course, more often than not these dubs will be terrible, featuring some rather dubious ‘80s production techniques and fads – chopped-up vocal stabs played on a Fairlight, a bit too much cheesy vocal, percussion that sounds cheap – but occasionally they still sound fantastically fresh.

The 1980s was a great time for dance music. The development of affordable drum machines, digital samplers and powerful synthesizers gave producers and musicians the means to try brand new things. This of course led to many musical developments – house, techno, garage, electro, freestyle, Jam & Lewis style “contemporary R&B” – that either still dominate dancefloors, or influence producers. There was also a “golden period” in New York during the early-to-mid 1980s, where disco became boogie, and later spawned ‘garage house’. Even the city’s post-punk and punk-funk musicians got in on the act (check the work of Bob Blank for proof). In between, producers such as Paul Simpson and Winston Jones bridged the gap with records that would later be considered “proto house” and “proto garage” classics.

In New York in particular, there were a number of editors and remixers who understood the power of the dub, and often went to great lengths to produce drum-machine heavy versions, laden with delay, that would work in the city’s leading clubs. Shep Pettibone, Francois Kevorkian, John “Jellybean” Benitez and Larry Levan – certainly during his golden period around 1982 and ’83, before his well documented substance abuse problems finally got the better of him – in particular were at the top of their game, turning freestyle, boogie, electro and proto-garage jams into sparse, sweaty dancefloor gold.

Of course, it wasn’t just New York leading the way. There are good European examples too, in particular in the Italo scene. I’ve not touched on that much in this mix, but may explore it at a later date. I’ve also included a few contemporary examples of records inspired by that early to mid ‘80s sound. As ever, it was mixed in one take, with just a collection of tunes and only one clear objective: to try and accurately capture the sweaty, basement-centric feel of the clubs these records were initially designed for. Hopefully I’ve done it justice.

1. AURRA – SUCH A FEELING [PARTS 2 & 3] (Salsoul Records, 1982)

This is almost the ultimate early ‘80s boogie dub. Mixed by Shep Pettibone, it begins with a reverb-laden vocal and then bobs and weaves, dub style, for an epic 14 minutes. I’ve only used a relatively small snatch, but hopefully there’s enough to get a flavour of the vibe.

2. REAL EYES – YOU GOT ME GOING [DUB] (Vanguard, 1984)

Vanguard was a constant source of interesting material in the early 1980s, releasing tracks that largely sat somewhere between boogie and freestyle. The vocal version of this tough, synth-heavy groover is nice, but typically I prefer the dub. Unusually, there was no big name mix, with producer Lance Smith taking mixing duties.

 

3. DAVID BOWIE – UNDERGROUND [DUB] (EMI America, 1986)

The original version of this mid-‘80s Bowie number was featured on the Jim Henson-produced film Labrynth. It’s hardly one of his best, a fairly shoddy synth-pop number. The Extended Dance Mix is rubbish, too. The dub, though, is ace – basically six minutes of heavy drums, tape edits and sound effects. For the record, it was mixed by Steve Thompson and Michael Barbiero, who seemed to be the go-to men for EMI America when pop records needed remixing; they also provided ‘dance mixes’ for Tears for Fears and Simply Red, amongst others.

 

4. RHYTHM ODYSSEY & DR DUNKS – LA CHIAVE [DUB BEATS] (Golf Channel Recordings, 2012)

Eric Duncan and Chicken Lips’ Dean Meredith have long been disciples of both obscure old drum machines, and the potential of 1980s, New York style dubs. Their two recent EPs for NYC’s own Golf Channel featured a couple of alternate dub versions that swing to the dirty groove of tape edits and early drum machines. This version of the unusual “La Chiave” is probably my favourite, though the 808 Tape Edit of “Glow” is also excellent. 

5. ORLANDO JOHNSON & TRANCE – TURN THE MUSIC ON [INSTRUMENTAL] (Easy Street, 1983)

This debut single from Orlando Johnson’s boogie crew is near perfect. The vocal version is ace and the ‘Instrumental’ – mixed by Jellybean and featuring enough delay-laden vocal snatches to qualify as a proper dub – almost better. It’s one of my favourite instrumentals from the period. I’m not alone, either – Awon and Five-Stylez also own copies. You could say it was a true “Bedmo Disco” fave, then.

6. JEFFREY OSBORNE – PLANE LOVE [DUB] (A&M, 1983)

Around ’82-’83, Larry Levan was on fire, laying down a string of brilliant remixes – Gwen Guthrie’s “Hopscotch” and “Padlock”, Frontline Orchestra’s “Don’t Turn Your Back On Me”, Imagination’s “Changes” etc – and this tweak of Jeffrey Osborne for A&M is one of his best dubs. It features all his stapes – the delay-laden drums, the obligatory bassline drop, drum breaks aplenty – and is utterly ace.

7. THE FLIRTS – YOU & ME [DUB] (CBS, 1985)

This was actually a big club hit on both sides of the Atlantic when it came out in 1985, but it arguably hasn’t stood the test of time. The same could be said for many Bobby ‘O’ records, in truth, but it’s still a great example of his work. Influenced by both Italo and Hi-NRG, Shep Pettibone’s Dub is formidably percussive and includes some typical vocal cut-ups.

8. FREEKWENCY – OUTRUN [DUB] (Voyeurhythm, 2012)

Melbourne-based producer Benny Badge has been producing some great, synth-heavy ‘80s boogie revivalism for a few years now. This Dub – tucked away on the B-side of the excellent “Flip The Coin” single on Voyeurhythm – is brilliantly observed, sounding authentically 1980s in its sound and execution.

9. ALISHA – BABY TALK [BEDMO DISCO DUB] (Unreleased)

A few years back I spent a lot of time editing up ‘80s releases in the original tape edit style for a project codenamed ‘The Bedmo Disco Dubs’. A couple of the tracks eventually saw the light of day on our digital-only EP, “It’s A Synth”. There were loads more, though, that never made the cut and didn’t even appear on Soundcloud. This extended, drum-heavy, dub style edit of Alisha’s curious 1985 freestyle cut “Baby Talk” is one of those. From memory, the edit features bits from all three mixes on the 12” – all of which were done by Shep Pettibone.

10.KOTO – JAPANESE WARGAME [DUB] (Memory Records, 1983)

From the camper end of the spectrum, Koto’s “Japanese Wargame” is fairly well known as Italo tunes go, and for good reason. Its bassline, in particular, is ludicrously heavy. The Dub wanders around a fair bit, beginning – bizarrely – with the sound of somebody tuning a radio. For this mix, I was determined to feature the amazing bass drop, as well as some of the excellent percussive cut-ups that litter the mix.

11. COLONEL ABRAMS – TRAPPED [DUB] (MCA, 1985)

I could have included the fantastic dub of “Music Is The Answer” on here, but I’m a bit of a fan of the sparseness of Timmy Regisford’s Dub of “Trapped”. Bizarrely, on the original UK 12” Regisford’s Dub is edited down to less than 4 minutes, with the full seven-minute version being included on a separate 12”. For the record, I used the shorter dub here.

12. THE PAUL SIMPSON CONNECTION – TREAT HER SWEETER (Easy Street, 1985)

No exploration of the 1980s synth dub sound would be complete without something from Paul Simpson, the undisputed master of proto-garage dubs. What’s included here is actually the second half of the vocal version, which taken in isolation sounds like a genuine Dub. While not Simpson’s best, it’s still utterly fantastic.

13. AWON – KEEP IT HOT (unreleased)

I could have used any number of Awon tracks in this mix, but opted for an unreleased, electro-influenced gem we’ve been keeping on the back burner. Hopefully it will see the light of day at some point, ‘cos it’s a bit of a belter – tough drum machine beats, thick synth bassline and some great use of delay-laden vocal samples. He’s got some talent, our Gareth.

14. SCHERRIE PAYNE & PHLIP INGRAM – INCREDIBLE [SUPERSTAR DUB] (Superstar International Records, 1987)

This is one of those records that you don’t see in second hand shops very often. It’s not worth a great deal, and the full vocal version is dreadfiul. That said, it’s worth picking up for the 10-minute dub, which is brilliantly sparse. Really, it’s little more than beats, effects, bassline and snatches of Payne and Ingram junior’s vocals.

15. MAJOR HARRIS – ALL MY LIFE [DUB] (Pop Art Records, 1983)

I have a soft spot for Major Harris, and have rather too many of his early ‘80s records (and not just the superb “Gotta Make Up Your Mind”). The dub of “All My Life”, mixed by Nick Martinelli and David Todd, is suitably odd, stripping back the original and making great use of odd editing techniques (reversing certain sections of the vocal etc). Crucially, the beats are properly tough.

16. CITISPEAK FEAT JEANNE HARRIS – I DON’T NEED YOUR HANDOUTS (Partytime, 1983)

New York four-piece Citispeak only made two records, both in 1983. Both could definitely be described as curiosities. The vocal version of “I Don’t Need Your Handouts” is a bit of a mess, but the more out-there dub is excellent – in parts, at least, For the record, it was recorded at Bob Blank’s Blank Tape Studio, though he appears not to have produced or mixed it.

17. KONK – YOUR LIFE [DUB] (Sleeping Bag, 1984)

There’s not much more to say about Konk’s best-known tune, a perfect example of the crossover between arty experimentation and dance music in New York during the early 1980s. The lesser-played dub features some almighty Latin percussion, and it’s that – alongside the dirty synths – that make it an unbelievably hefty dancefloor jam.

18. PUSHE – DON’T TAKE YOUR LOVE AWAY [INSTRUMENTAL] (Partytime, 1983)

Another Winston Jones/Paul Simpson dub, taken from a lesser-known – but superb – Partytime release. I’ve written more about this for Juno Plus, if you fancy a gander. Click here to read it.

19. GARY’S GANG – MAKING MUSIC [DUB] (Radar Records, 1983)

I’ve never been a massive fan of Gary’s Gang, and the full vocal version of this is a bit dubious. The 10-minute dub, though, is majestic – arguably one of the best of the period. Impressively, it was written, produced and mixed by Gary’s Gang lead vocalist Joe Tucci. It was definitely ahead of its time.

20. SHIRLEY LITES – HEAT YOU UP (MELT YOU DOWN) [MELT DOWN MIX] (West End Records, 1983)

I just had to include this, as it’s arguably my favourite West End record of the period. The vocal version is peerless, but this alternate take – an instrumental with a few dub touches – is almost as good. When the bassline drops, it always gets me going.

21. WILL POWERS – SMILE [DUB] (Island Records, 1983)

The whole Will Powers project was a big joke by photographer Lynn Goldsmith, who wanted to poke fun at self-help entrepreneurs. Strangely, there was some excellent musicians and producers involved – most notably Robert Palmer, Sting and Sly and Robbie. “Smile” was mixed by Lindstrom fave Todd Rundgren. His dub features good use of the original’s gospel vocals and copious amounts of delay. It seemed an upbeat enough place to finish.

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EVENT: B-FUNK AT START THE BUS

We return to one of our favourite Bristol venues, START THE BUS, for the first of a series of monthly parties on Saturday, August 11. Named B-FUNK after our recent 12″ single of the same name, it will see Awon, Five Stylez and Sell By Dave mixing it up in true B-Funk party style.

Full preview to come later in the week, but for now make a note of the date. It starts at 10pm and entrance is free…

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